And This Is How It Ended?
(The Divorce Show)
olga SEEM
(click on image to enlarge)
Biography
Born:
Los Angeles, CA. 1927
EDUCATION
B.A.
1949, M.A. 1963,
SOLO EXHIBITIONS
2006 “Botanical
Transformations”
“New Work”
2005 “New
Work”
2004 “Botanical
Intervention”
“Garden
of Eden”
Sherry Frumkin Gallery,
2003 “Botanical
Observations” frumkin/duval Gallery,
2002 “Adaptations”
LIMN Gallery,
“Up
Close”
Randall Erickson Contemporary Art,
“New
Work”
frumkin/duval Gallery,
2001 “New Work”
frumkin/duval Gallery,
1998 “Microcosm”
Sherry Frumkin Gallery,
“Apertures
into Nature” Survey 1990 -
1997,
1996 “Recent
Work” Sherry Frumkin Gallery,
1994 Space,
1993 Space,
1992
“Olga Seem, Survey 1981 - 1991“
Mary's College,
Space,
1987 Manville
Gallery,
Cuesta
1986 Goski Gallery,
1981
Leonard Heller Memorial Gallery,
1971 Brand
Library Art Center Gallery,
GROUP & OTHER
EXHIBITION
2006
“Present Art XIII: A Large Show of
Small Works,” Couturier
Gallery,
“Eighteen Profiles: Distinguished Women Artists of
“Introspection” Jenkins Johnson Gallery,
2005
“Present Ar XIIt: A Large Show
of Small Works,”
“AxS: At the intersection of Art and Science”
“The Tree of Life” El
2004
“Mark Making” Schneider Museum of Art, Southern
“Shakespeare
as Muse”
2003 “Scaled
Down” Sabina Lee Galley, Los Angeles, CA
“Contemplation”
LewAllen Contemporary,
“New
Botanicals“
Davis & Cline Gallery,
“Group
Show”
Randall Erickson Contemporary Art,
2002
“Winter’s Blossom” El Camino College Art Gallery, 6 Camino
College,
2001
“Modernism from the Collection of the
“By
Nature's Design”
William D. Cannon Art Galley,
2000
“L A Botanical” Peter &
“Four
from L A”
Broderick Gallery,
1998 “First
Decade: Highlights from the
“Annette Bird/Olga Seem” Bucheon Gallery,
1997 L A Artcore,
The Art Bank,
“
“State
of the Art”
Biennial Watercolor Invitational,
1996 “Drawn
Conclusions”
“Reproducing
Nature”
Sherry Frumkin Gallery,
1995 “Still
Life…Still Here” Hunsaker/Schlesinger Fine Art,
“Pasted
Papers: Collage and the Twentieth Century”
Louis Stern Fine Arts, Los
Angeles ,
“Landscape:
A Continuuum”
“One
Vision”
Space,
“Eloquent
Lines”
Louis Stern Fine Arts,
“Generation
of Mentors”
1994
“Generation of Mentors” Fresno Metropolitan Museum, Fresno, CA
and the origin of the exhibition at the National Museum of Women in the Arts,
Washington, D.C.
“Revealing
Landscapes”
Korean Cultural Center,
“Trees”
“California
- 5”
Gallery Yoshida, Nagoya, Japan
“The
World of Cups”
The Armory Center for the Arts,
“Cups”
Space,
“Human/Nature”
El
“Watercolor
Exhibition by Artists of
1993
“
“The
Elegant, Irreverent & Obsessive” Drawing in Southern California, Main
Art Gallery, Visual Arts Center, California State University at Fullerton,
Fullerton, CA and the Dorothy Goldeen Gallery, Santa Monica, CA
“L.
A. Stories”
Jack Rutberg Fine Arts,
1992
“Contrasts” Space, Los Angeles, CA
1991 “On
Paper” Space,
“Landscape
and Visions”
Olga Dollar Gallery,
“Wes
Christensen/Olga Seem”
1990 “The
Festival Continues” The Tanzman Associates,
1988 “Glass and
Paper” Spectrum Contemporary Art,
“Three
Southern California Artists”
The
1987 “Explorations
I”
1986 “Group
Show” Djurovich Gallery,
“Showcase
86”
“Works
on Paper”
Zoller Gallery,
1984
“Olympic Project” Art Rental Gallery,
“A
Broad Spectrum”
Design
1983
“Dreager, Partlow, Seem” Mount
“Three
from
“Seven”
1978
“The Early Sixties at U.C.L.A.”
1976
“The Art Rental Gallery Presents” Art Rental Gallery,
CATALOGUES
“Olga Seem, Botanical
Intervention”
Essay by Jacquelin Pilar, Associate
“By Nature's Design”
Essay by Calvin Bedient,
“International
Watercolor Biennial - East/West”
Essay by Rob Erdle, Parkland
“Generation of
Mentors”
Essay by Betty Ann Brown, The
“The Elegant,
Irreverent & Obsessive”
Drawing in Southern California, Recent Work
by Over Seventy Southern California Artists, Many of Whom Stretch
Traditional Definitions of Drawing. Essay by Mike McGee,
“Olga Seem - Subliminal
Landscapes”
Introduction by Diane Calder, Essay by Michael Laurence,
“Showcase '86”
“A Broad Spectrum”
Essays by Fidel Danieli and Sandy Nelson, Design
“The Early Sixties at
U.C.L.A.” Introduction by Ray Brown, Frederick S. Wight Gallery,
AWARDS
2004
2002
The Pollock-Krasner Foundation Artist Grant
1993
E.D. Foundation Artist Grant
1989
E.D. Foundation Artist Grant
MUSEUM COLLECTIONS
Achenbach
Foundation for Graphic Arts,
The
BIBLIOGRAPHY
2005
Peter Frank, “Pick of the Week,” “A x X: At the Intersection of Art
and Science”, LA Weekly. August 19-25.
Groshong, Kim, “Caltech-Armory show connects art, math, nature,” Pasadena
Star News, July 10.
2004
Varble, Bill, “A Stage for Art,” Mail Tribune,
2003
“Continuing and Recommended,” ArtScene, Vol. 22, No.8, April
Collins, Tom, “Tiny glimpses,” Albuquerque Journal, December 5.
2002
<artscene@artscenecal.com> March Review, Saturday, Feb. 23.
Calder, Diane, “Continuing and Recommended,” ArtScene, Vol. 21, No.6,
April
2001
Marcou, Howard, “Last but not Lease,” Desert Post Weekly,
2000
Row, D.K., “An Intensifying Presence,” The Oregonian,
1998
Coleman, Sarah, “Annette Bird & Olga Seem,”
Hale, David, “Plant Life Fascinates Painter,” The
Hale, David, “
Paley,
1996
Bulmer, Marge, “Olga Seem,” ArtScene, Vol. 16, No.1,
September.
Frank, Peter, “Still Life…Still Here,” Pick of the Week, LA Weekly,
Vol. 18, No.12, February 16-22.
Frank, Peter, “Landscape: A Continuum,” Pick of the Week, LA Weekly,
January 26 – February 1.
1995
Tapley, George, “Generation of Mentors,” Artweek, Vol. 26, No.3,
March.
Turner,
1994
Bulmer, Marge, “Continuing and Upcoming,” ArtScene, Vol. 13,
No.9, May.
Frank, Peter, “Brave New World of
Geer, Suvan, “Art Reviews,”
Kapitano, Nancy, “Seem’s Real,” Los Angeles Times, Calendar
Section, January 31.
Leddy, Pat, “Dreamtown,” Artweek, Vol. 24. No.5, March 4.
Maleski, Stash, “Act of Painting,” Artweek, Vol 24. No.5., March 4
1992
Cutajar, Mario, “Like Bits of Mute Nature,” Artweek, Vol. 23, No.13,
April 9.
Frank, Peter, “Pick of the Week,” LAWeekly, Vol. 14, No.18, April 3-9
Kojima, Hisaka, “Olga Seem, Drawings,” International Art Motion,
Tokyo ,
Welles, Elenore, “Landscapes of the Soul,” Visions Art Quarterly,
Vol.6, No.2, Fall.
1991
Laurence, Michael, “Showcase,” Visions Art Quarterly, Vol.5, No.2,
Page 53, Spring.
1989
Bulmer, Marge, ArtScene, Vol.9, No.1, September.
Turner,
1988
Frank, Peter, “Pick of the Week,” LAWeekly, Vol. 10, No.38,
August 12-16.
1986
McKenna, Kristine, “The Galleries,”
1984
Nelson, Sandy, “Celebrating
1982
House, Suda, “Artistic Photographic Processes,” Amphoto Books, Pages
66, 67,
1978
Muchnic, Suzanne, Artweek, Vol. 9, No.2, January 14
1971 Canavier, Elena, “Seem Paintings,” Artweek, Vol. 2, No.45, Dec. 25.